Week 001 - w'kend brainstorming.
some ideas that peter discussed regarding the film:
(I think we're getting ahead of ourselves. Concept documentation is due week 3, although I suppose it all relates somehow)
There will be lots to talk about come Tuesday.
Apart from Kim who seems happy to do anything anyway so long as it's to do with film: I'm glad that we've all checked and seem to be enthusiastic about the film itself.
Peter reckons the story is open to interpretation, metaphos and things like that - which I really agree with. The story Velvet Black (VB) still amazes me and blows me away with the myraid of interpretation that it garners from other people. Kalli thought that at the end the character dies, Peter gets the mood of someone aimlessly wandering through life.
Heh. It's interesting.
I think it'll depend how explicit we want to get - but it'll definitely be interesting where the film will take the story and what viewers, seeing it visually and not just in their minds' eye what they will gain from the film.
I'm still worried about getting it from storyform to script form - so that will be the hardest hurdle we have to cross in my opinion.
While peter did suggest a good song - Moby's Why Does My Heart Feel So Bad, I think we're meant to stick with originals? (The one I had previously was Massive Attack - the name slips me for the moment)Peter can imagine the character walking along the streets aimlessly in life. And to top things off to emphasis the aimlessness when the char. is walking she is walking through the crowds... people bump into her and she looks like she isn't even there...
It's probably better, seeing that we want to submit it into competitions.
But that would mean I would have to do the music... since I'm the only one who's dabbled in music programs and is the only one that plays an instrument...
.. that's another hurdle I'm going to have to cross. And even if I did something on the piano, the worry is recording.
But I'll come to it when I come to it, I suppose.
(I think we're getting ahead of ourselves. Concept documentation is due week 3, although I suppose it all relates somehow)
There will be lots to talk about come Tuesday.
Apart from Kim who seems happy to do anything anyway so long as it's to do with film: I'm glad that we've all checked and seem to be enthusiastic about the film itself.
Peter reckons the story is open to interpretation, metaphos and things like that - which I really agree with. The story Velvet Black (VB) still amazes me and blows me away with the myraid of interpretation that it garners from other people. Kalli thought that at the end the character dies, Peter gets the mood of someone aimlessly wandering through life.
Heh. It's interesting.
I think it'll depend how explicit we want to get - but it'll definitely be interesting where the film will take the story and what viewers, seeing it visually and not just in their minds' eye what they will gain from the film.
I'm still worried about getting it from storyform to script form - so that will be the hardest hurdle we have to cross in my opinion.
While peter did suggest a good song - Moby's Why Does My Heart Feel So Bad, I think we're meant to stick with originals? (The one I had previously was Massive Attack - the name slips me for the moment)Peter can imagine the character walking along the streets aimlessly in life. And to top things off to emphasis the aimlessness when the char. is walking she is walking through the crowds... people bump into her and she looks like she isn't even there...
It's probably better, seeing that we want to submit it into competitions.
But that would mean I would have to do the music... since I'm the only one who's dabbled in music programs and is the only one that plays an instrument...
.. that's another hurdle I'm going to have to cross. And even if I did something on the piano, the worry is recording.
But I'll come to it when I come to it, I suppose.
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